Reviewing the Allegory The Bard fountain pen last week and the Retro-Essential pen this week really brought it home to me that some pens are made to be admired from afar, some are made to be admired in use and not so many pens manage both.
The Bard and the Retro-Essential both look absolutely amazing but not quite so much thought has been put into how they are to actually use. The Bard is good enough to have become a pen I very much enjoy but the Retro-Essential doesn’t quite make it over the hump. An even more severe example of this is the A. G. Spalding Maple Wood pen. I really liked this pen when I reviewed it but that was partly through lack of experience. I now rarely ink it up because it’s not comfortable to use.
What these pens, and many others, have in common is that they don’t seem to have been designed with an outstanding writing experience as the top priority. Sometimes they get away with it, sometimes they don’t.
Conversely, many other pens are great to write with but don’t look that special. I’d put most TWSBIs into that category. They don’t look particularly special but they are lovely to use. More controversially perhaps, the Pilot Custom 74, whilst absolutely stunning to use, isn’t the prettiest of pens.
It’s a rare pen that manages to be beautiful in both use and in looks but some manufacturers are more successful than others: Kaweco with their metal pens (and the Dia 2); the Platinum #3776 range; Franklin-Christoph across pretty much their entire line; Faber-Castell (although the e-Motion perhaps tips into the looks over function category). The Karas Kustoms Ink also falls into this category.
It’s no surprise my favourite pens tend to be made by these companies. The fact that the Custom 74 is one of my favourite pens despite it’s fairly average looks tells you all you need to know about how great it is to write with.
There must be plenty of other pens that are great writers and great lookers – what would you suggest?